2021-01-12 10:01:56 作者： 所属分类：新闻中心 阅读：0 评论：0

13, Op. The reason why this piece didn’t resonate with me as much on first listening is probably because there really are a lot of ideas going on at once, as it’s very dense - however this actually works in its favour on repeated listens and something new becomes apparent each time. It’s incredibly well written and very unique. I’ve heard that Shostakovich initially planned a much bigger and longer symphony for his ninth, but felt he was following in the footsteps of a number of great ninths and so decided on this piece instead. 92, in 1811, while he was staying in the Bohemian spa town of Teplice in the hope of improving his health. It’s perhaps more of an orchestrated song-cycle than a symphony, but the running theme of texts about death is executed with great balance. 14 "To October": III. After he was publicly denounced, Shostakovich rebounded with the compelling and calculated Symphony No. 14) Sibelius – Symphony No. Shostakovich agonised for a long time about what to call his work. 11 The Year 1905.When this composition was first performed on October 30, 1957, Soviet officials declared it an outstanding work of social realism. Even when the manuscript was being copied for publication, he would talk about how he wanted to make sure that he had remembered the whole piece, so that if the score was somehow lost, he would be able to write it all out again. This image of steady oppression and depression from a variety of different angles is really evocative and involving, and concludes with a reflection on how on earth an artist can make a living through expressing what really matters to them in an environment which really doesn’t facilitate it. With Vassily Petrenko having recently recorded them all, I'd have thought that Slovak's isn't even the best Naxos set! Its final two movements are much shorter and completely different in tone, with some really exciting, even fun moments. This would also explain why there is such a variation in tone between his first and second symphonies. As a piece of music that combines the best aspects of all these genres, and as one that, whilst visiting life’s most depressing subject, gives it the most inspirational of messages, I would argue that it stands as his greatest work of all. On top of this, he lived through some pretty dark times in early 20th-century Russia, even having some of his pieces banned or heavily criticised by the state media. Structure. Well, the content is just so dark, so depressing and so brutal that the music fails to be anything I’d really want to listen to. And so ensued my quest to rank each Shostakovich symphony, some of which, I’ll admit, I’d never listened to all the way through before. Love and Death It is very easy to listen to this piece without ever realising that there are only twenty-five people involved in the performance and that the vast majority are playing string instruments. That shows a certain amount of resilience. The Loreley, who had grieved for her lover far away, has become the woman who knows her lover is being killed on the battlefield, and is obviously the same woman who in the next song laughs in despair in the knowledge that he is already dead. 11 in G minor, op. Johannes Moser – Cello Fabrice Bolton – Stuttgart Radio Symphony Orchestra Hanssler 93222. The orchestra also played the Fifth Poem setting with skill, a kind of ironic military march reminiscent of Shostakovichs Eighth Symphony. There are claims that his musical voice was, shall we say, gently guided by his tutors - but of course this is true, that’s what happens. The resulting Symphony No.5, with its universal message of triumph achieved out of adversity, was exactly what was needed. a text in French (Français) by Wilhelm Albert Włodzimierz Apolinary Kostrowicki (1880 - 1918), as Guillaume Apollinaire, no title, written 1911, appears in Alcools, in À la Santé, no. At first glance, its form seems startlingly unbalanced and arbitrary. The seemingly patriotic, uplifting ending is strained, but definitely triumphant - could this be the resolve of the self against the state, rather than the victory of the state? 14 is “sandwiched” between two pieces of Mahler, the Adagietto from his 5th Symphony, both to open and close the concert. He had become an incredibly skilled composer, and had created this piece without restraint. The Symphony No. It’s one of Shostakovich’s more subtly powerful pieces, which feels simultaneously personal yet resonant. As Sandburg suggested, it was “music written with the heart’s blood.” As part of its Truth to Power three-week festival, the CSO will perform Shostakovich’s Symphony No. I’ll be honest, I was expecting this to be number one. But there are also important traits that set it apart. There is nothing consoling in his prisoner’s cell and the long pianissimo fugal interlude is an unforgettable depiction of time seeming to have stopped for ever. 13, what’s really going on here is a depiction of the strains and terrors of life in Stalinist Russia, designed to resonate with ordinary people (and it certainly did, earning a standing ovation of 30 minutes at its premier). The ways in which themes are brought back and manipulated are so complex and impressive, and the emotional and musical breadth on display here is truly inspiring. 3 in E flat major, ... Not surprisingly, there are elements that also reflect the film and theater music he was also composing. Ages ago, I listened to this and basically just thought ‘hmm… bit strange’ and so never really gave it a second thought. In the end is our beginning. 6 is remarkably varied. Throughout The Noise of Time, I kept thinking of JM Coetzee (not a writer I’d have associated Barnes with before).Most obviously Coetzee’s … I find Shostakovich’s music fascinating. In the Sixth Symphony, Shostakovich wanted to express an illogical and contradictory world and so chose a form that is both those things. I studied this symphony a few years ago so it’s probably the one I know the most about, and I’ve also played it (and yes, that may have influenced my love for it, how could it not?). 11 depicts the Bloody Sunday massacre of the 9th January 1905 in Russia, in which unarmed protesters were shot at and killed in large numbers by soldiers at the palace of Tsar Nicholas II. At the premiere Shostakovich had spoken about the need for a special silence whilst listening to this work. … It would be kind to describe the words of the concluding ... having experienced the funeral march we perhaps understand the significance of the quotation form the Eleventh. At the end Apollinaire implies that the lamp left burning is some kind of friend, but Shostakovich allows no such sentimentality and, by saying that the only two friends there are the prisoner and his mind, it is clear that madness has finally set in. In fact, this symphony is captured quite well in the tone of Julian Barne’s novel ‘The Noise of Time’, which is well worth a read. 1 in F minor (Opus 10) by Dmitri Shostakovich was written in 1924–1925, and first performed in Leningrad by the Leningrad Philharmonic under Nikolai Malko on 12 May 1926. The irony lies in the fact that under the influence of that fear people create poetry, prose and music; that is they try to strengthen their ties with the living and increase their influence on them. But its message is that, despite the horrors of the world, it is Art that can still make lives worthwhile. Dmitri Shostakovich’s First Symphony may be the greatest graduation project of all time. 103 "The Year 1905": I. Just a disclaimer before I start, though - this is based on how much I enjoyed each piece. His level of intensity is very high and there is little or no sentimentality in his work. It’s bad when people die before their time from disease or poverty, but it is worse when a man is killed by another man.’ In Testimony, Shostakovich explained: ‘I was thinking about prison cells, horrible holes, where people are buried alive, waiting for someone to come for them, listening to every sound. 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